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Mapplethorpe, Robert

ROBERT MAPPLETHORPE Urn with Fruit, 1994

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Regular price $250
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This image, Urn with Fruit, is drawn from a 1994 box set of Robert Mapplethorpe photographs, published by teNeues Publishing Company and printed in Germany. Classical in style and composition, the still life evokes timeless elegance through the careful balance of form, texture, and shadow. Mapplethorpe’s refined aesthetic elevates this simple arrangement into a visually arresting study of symmetry and tonal depth.

Presented in a white wood frame with a front profile of 1 inch and a side profile of 3/4 inch, and mounted behind a 4-inch mat, this piece becomes a sophisticated focal point suitable for both traditional and modern interiors.

Details

Sku: YY5880

Artist: Robert Mapplethorpe

Title: Urn with Fruit

Year: 1994

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 7 x 5 inches ( 18 x 13 cm )

Image Size: 4.5 x 4.25 inches ( 11 x 11 cm )

Frame Size: H: 15.75 x W: 14.5 x D: 0.75 in.

ROBERT MAPPLETHORPE Urn with Fruit, 1994

$250

About the Artist

Robert Mapplethorpe

Robert Mapplethorpe (1946 – 1989) was an American photographer, known for his sensitive yet blunt treatment of controversial subject-matter in the large-scale, highly stylized black and white medium of photography. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits and still-life images of flowers. His most controversial work is that of the underground BDSM scene in the late 1960s and early 1970s of New York City. The homoeroticism of this work fuelled a national debate over the public funding of controversial artwork. His photography of flowers shows his remarkable mastery of the nuances of light, both with the camera itself and also in the darkroom. Patti Smith was a longtime roommate and close friend of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses. "Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. He was presenting something new, something not seen or explored as he saw and explored it. Robert sought to elevate aspects of male experience, to imbue homosexuality with mysticism. As Cocteau said of a Genet poem, 'His obscenity is never obscene.' " — Patti Smith, Just Kids
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