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Lewitt, Sol

SOL LEWITT Continuous Forms and Color, 1989

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This original exhibition invitation presents Continuous Form and Color by Sol LeWitt, one of the most influential figures in Minimalism and Conceptual art. The composition—rendered here as a paired, mirrored format—features densely structured fields of interlocking geometric fragments, each filled with vibrant, carefully balanced color. The result is both systematic and visually dynamic, embodying LeWitt’s core principle that the idea governs the execution.

Published by Brooke Alexander Editions and printed by the renowned Watanabe Studio, this piece reflects the highest standards of print production associated with LeWitt’s editions. The postcard includes imagery on both the front and verso, with a fold line through the center as issued—an authentic detail that underscores its origin as exhibition ephemera.

The dual-panel presentation enhances the sense of repetition and variation, a hallmark of LeWitt’s work, where subtle shifts in color and form create a rhythm that is both intellectual and visually engaging. Despite its modest scale, the work carries the same conceptual rigor found in his larger wall drawings and prints.

Professionally framed in white wood with a wide mat, the piece is elevated into a refined, gallery-ready presentation, transforming a rare piece of ephemera into a striking wall work.

A highly collectible example of LeWitt material—bridging Conceptual art, geometric abstraction, and the enduring appeal of artist-produced printed matter.

Details

Sku: GH0351

Artist: Sol Lewitt

Title: Continuous Forms and Color

Year: 1989

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 6.75 x 13.5 inches ( 17 x 34 cm )

Image Size: 6.75 x 6.75 inches ( 17 x 17 cm )

Frame Size: H: 12.75 x W: 18.5 x D: .75 in.

SOL LEWITT Continuous Forms and Color, 1989

$250

About the Artist

Sol Lewitt

Solomon "Sol" LeWitt (1928 – 2007) was an American artist linked to various movements, including conceptual art and minimalism. LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965. LeWitt was born in Hartford, Connecticut to a family of Jewish immigrants from Russia. His mother took him to art classes at the Wadsworth Atheneum in Hartford. After receiving a BFA from Syracuse University in 1949, LeWitt traveled to Europe where he was exposed to Old Master paintings. Shortly thereafter, he served in the Korean War, first in California, then Japan, and finally Korea. LeWitt moved to New York City in 1953 and set up a studio on the Lower East Side, in the old Ashkenazi Jewish settlement on Hester Street. During this time he studied at the School of Visual Arts while also pursuing his interest in design at Seventeen magazine, where he did paste-ups, mechanicals, and photostats. In 1955, he was a graphic designer in the office of architect I.M. Pei for a year. Around that time, LeWitt also discovered the work of the late 19th-century photographer Eadweard Muybridge, whose studies in sequence and locomotion were an early influence. These experiences, combined with an entry-level job as a night receptionist and clerk he took in 1960 at the Museum of Modern Art (MoMA) in New York, would influence LeWitt's later work. LeWitt is regarded as a founder of both Minimal and Conceptual art. His prolific two and three-dimensional work ranges from wall drawings (over 1200 of which have been executed) to hundreds of works on paper extending to structures in the form of towers, pyramids, geometric forms, and progressions. These works range in size from books and gallery-sized installations to monumental outdoor pieces. LeWitt's first serial sculptures were created in the 1960s using the modular form of the square in arrangements of varying visual complexity. (Wikipedia)
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