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Lichtenstein, Roy

ROY LICHTENSTEIN Woman from Algiers, 1985

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Regular price $250
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Rare postcard published by the Guggenheim Museum in 1985, featuring Roy Lichtenstein’s Pop Art reinterpretation of Pablo Picasso’s iconic Women of Algiers series. In this piece, Lichtenstein transforms Picasso’s Cubist vocabulary into his own unmistakable style—clean lines, bold primary colors, and signature Ben-Day dot patterns—bridging two of the most influential visual languages of the 20th century.

This particular postcard is hard to find on the open market, as it was issued by the Guggenheim for museum use only and was never released through the Lichtenstein Foundation or commercial publishers, making surviving examples especially desirable.

Beautifully presented in a modern white wood frame, it makes a striking small-format Lichtenstein collectible suitable for gifting, display, or inclusion in a Pop Art–focused collection.

Details

Sku: GH0082

Artist: Roy Lichtenstein

Title: Woman from Algiers

Year: 1985

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 4 x 6 inches ( 10 x 15 cm )

Image Size: 4 x 6 inches ( 10 x 15 cm )

Frame Size: H: 10 x W: 16 x D: .75 in.

ROY LICHTENSTEIN Woman from Algiers, 1985

$250

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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