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Picasso, Pablo

PABLO PICASSO Luncheon on the Grass Brown, 1972

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Regular price $250
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This compelling exhibition print was created for a 1972 show at Pace Gallery in Columbus, Ohio, highlighting Pablo Picasso’s celebrated reinterpretations of Le Déjeuner sur l’Herbe. The work references Picasso’s extensive engagement with Édouard Manet’s landmark 1863 painting, a cornerstone of modern art.

Beginning in 1961, Picasso produced an extraordinary series inspired by Manet’s composition, including 27 paintings, over 140 drawings, and several linocuts. In these works, he transforms the original scene through his own expressive, graphic language—reimagining a canonical image into a dynamic exploration of form and structure.

The present composition reflects that process, rendered with bold, incisive linework and a compact, intimate format that emphasizes both energy and precision. The image captures the essence of Picasso’s late-period experimentation, where clarity of line meets conceptual depth.

Elegantly presented in a black frame with a wide mat, the piece achieves a strong visual presence while maintaining a refined, museum-style aesthetic. The contrast between the dark frame and the delicate linework enhances the overall impact.

Published for the Pace Gallery exhibition in 1972, this work represents an important moment in the presentation of Picasso’s later reinterpretations to an American audience.

A sophisticated and highly collectible piece, ideal for collectors of Picasso, modern art history, and significant gallery-issued works.

Framing available upon request.

Details

Sku: GH0079

Artist: Pablo Picasso

Title: Luncheon on the Grass Brown

Year: 1972

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 5.75 x 7.5 inches ( 15 x 19 cm )

Image Size: 5 x 5.75 inches ( 13 x 15 cm )

Frame Size: H: 13.75 x W: 15.5 x D: .75 in.

PABLO PICASSO Luncheon on the Grass Brown, 1972

$250

About the Artist

Pablo Picasso

Picasso never stayed in one style for long. Faces break apart, bodies twist, and nothing looks stable or fixed. What he changed was how pictures represent reality. Instead of showing one clear view, Picasso showed many views at the same time. This helped people realize that seeing is not simple or objective. His work opened the door for artists to experiment freely, changing how pictures could be made across art, design, and media.
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