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Lichtenstein, Roy

ROY LICHTENSTEIN Interior with Mirrored Wall, 1993

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Regular price $350
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This vintage offset lithograph postcard features Interior with Mirrored Wall by Roy Lichtenstein, published by the Solomon R. Guggenheim Museum in conjunction with the artist’s landmark 1993 retrospective. The work belongs to Lichtenstein’s celebrated Interiors series, a body of work that translates domestic space into a bold and highly stylized visual language.

The composition presents a modern living room rendered with Lichtenstein’s signature precision—clean black outlines, flat planes of color, and carefully structured geometry. Mirrors, framed artworks, and furnishings are reduced to graphic elements, creating a layered and rhythmic composition that blurs the boundary between representation and abstraction.

Unlike his earlier comic-based imagery, the Interiors series reflects a more nuanced exploration of space, design, and perception, drawing from both modernist painting and contemporary domestic aesthetics. These works were less widely reproduced, making examples such as this particularly desirable among collectors.

Elegantly presented in a contemporary black wood frame with a wide mat, the piece achieves a refined, museum-style presentation that enhances its clarity and architectural balance.

A rare and highly collectible postcard from an important museum exhibition, ideal for serious collectors of Roy Lichtenstein, Pop Art, and modern interior imagery.

Details

Sku: GH0059

Artist: Roy Lichtenstein

Title: Interior with Mirrored Wall

Year: 1993

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 4.25 x 6 inches ( 11 x 15 cm )

Image Size: 4 x 5 inches ( 10 x 13 cm )

Frame Size: H: 12.25 x W: 14 x D: .75 in.

ROY LICHTENSTEIN Interior with Mirrored Wall, 1993

$350

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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