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Simpson, Gretchen Dow

GRETCHEN DOW SIMPSON Block Island, 1997 - Signed

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This striking limited edition serigraph by celebrated graphic artist Gretchen Simpson, titled Block Island, was published in 1997 in an edition of 120 copies. This impression is part of the smaller "Artist Proof" or "AP" edition of 14, numbered "6/14" Known for her distinctive illustration work for The New Yorker, Simpson brings her signature aesthetic—clean lines, bold contrast, and modern simplicity—to this quietly compelling coastal scene.

The image captures a screen door view into a Block Island cottage, using a sharp and sophisticated color palette to evoke both architectural clarity and coastal calm. Simpson’s composition reflects her graphic roots, blending visual storytelling with minimalist charm.

Elegant yet understated, Block Island is perfect for contemporary interiors, beach homes, or collectors of modern American printmaking. A refined piece of visual design that resonates with stillness, memory, and place.

Details

Sku: YY4074-B

Artist: Gretchen Dow Simpson

Title: Block Island

Year: 1997

Signed: Yes

Medium: Serigraph

Edition Size: 14

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 25.75 x 26 inches ( 65 x 66 cm )

Image Size: 19.25 x 20 inches ( 49 x 51 cm )

GRETCHEN DOW SIMPSON Block Island, 1997 - Signed

$1,250

About the Artist

Gretchen Dow Simpson

Gretchen Dow Simpson (b. 1939, Cambridge, Massachusetts) is an American painter renowned for her serene and meticulously composed depictions of New England architecture and landscapes. Deeply rooted in her regional identity, Simpson’s work captures the quiet elegance of coastal towns, white clapboard houses, and sunlit interiors—hallmarks of her native New England. A graduate of the Rhode Island School of Design (Class of 1961), she developed a distinctive visual language grounded in clarity, symmetry, and an almost meditative stillness. Over the course of her career, she has contributed more than sixty original cover illustrations to The New Yorker magazine, earning wide recognition for her ability to evoke mood and atmosphere through precision and restraint. Simpson’s paintings, often described as contemplative and architectural, reflect a disciplined attention to light and space. Her work has been featured in numerous exhibitions and remains a quiet yet powerful presence in the world of contemporary American realism.
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