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Raetz, Markus

MARKUS RAETZ Quietly with Determination Boycot Exxon, 1990

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The artwork features the phrase "Quietly with Determination Boycot Exxon" prominently displayed. The deliberate misspelling of "boycot" instead of "boycott" may be an intentional artistic choice, possibly to draw attention or provoke thought. The phrase suggests a call to action against Exxon, advocating for a boycott executed with quiet determination.

Markus Raetz is renowned for his works that explore perception, language, and the interplay between text and meaning. This piece aligns with his interest in how language can influence thought and action.

Details

Sku: YY2322

Artist: Markus Raetz

Title: Quietly with Determination Boycot Exxon

Year: 1990

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Small dents throughout poster

Dimensions

Paper Size: 36 x 24 inches ( 91 x 61 cm )

Image Size: 36 x 24 inches ( 91 x 61 cm )

MARKUS RAETZ Quietly with Determination Boycot Exxon, 1990

$75

About the Artist

Markus Raetz

Markus Raetz (b. June 6, 1941 – d. April 14, 2020) was a Swiss artist renowned for his exploration of perception through drawing, painting, sculpture, and installation. Born in Büren an der Aare near Bern and educated as a schoolteacher, Raetz began his artistic career in the early 1960s. After living in Amsterdam (1969–73) and Ticino (1973–76), he returned to Bern, where he lived and worked for the remainder of his life. He participated in major international exhibitions including documenta IV (1968), documenta V (1972), and documenta VII (1982), and represented Switzerland at the Venice Biennale in 1988. Raetz produced over 30,000 drawings, using them as a means to unpack how images are formed and perceived—often prioritizing viewer interaction and perspective shifts over static representation. His sculptural works, including anamorphic and mobile pieces, frequently change appearance based on the viewer’s position—most famously pieces like Oui‑Non and Yes‑No He received several artistic honors, including the Gerhard-Altenbourg-Preis in 2004 and the Prix Meret Oppenheim in 2006. His works are held in major collections like MoMA New York, Kunstmuseum Basel, Kunstmuseum Bern, and Museum für Moderne Kunst in Frankfurt .
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