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Wesselmann, Tom

TOM WESSELMANN Country Bouquet with Delphinium (for Tammy Wynette), 1989

Regular price $350
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Serigraph by Tom Wesselmann – River Valley Playhouse, Putney, Vermont

This elegant and highly collectible serigraph was created by leading Pop artist Tom Wesselmann for a concert by country music icon Tammy Wynette held on October 16, 1989, at the River Valley Playhouse in Putney, Vermont.

Rendered in Wesselmann’s signature reductive line style, the composition features a loosely arranged bouquet of wildflowers in a simple pitcher—an image that bridges his celebrated still-life imagery with a more intimate, lyrical sensibility. The deliberate economy of line and absence of color emphasize form and rhythm, offering a striking contrast to the bold, saturated works more commonly associated with the artist.

Printed on heavy rag paper, this example is an overrun or proof from the signed edition, issued contemporaneously with the official release. While not signed or bearing blind stamps, it remains an authentic period impression, produced alongside the edition and retaining all the visual integrity of the original concept.

A compelling crossover between fine art and music ephemera, this piece appeals to collectors of Pop Art, Wesselmann’s graphic work, and memorabilia related to Tammy Wynette’s enduring legacy. A refined example of late 20th-century printmaking from the pre-digital poster era.

Framing available upon request.

Details

Sku: YY0190

Artist: Tom Wesselmann

Title: Country Bouquet with Delphinium (for Tammy Wynette)

Year: 1989

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 37 x 25.5 inches ( 94 x 65 cm )

Image Size: 37 x 25.5 inches ( 94 x 65 cm )

TOM WESSELMANN Country Bouquet with Delphinium (for Tammy Wynette), 1989

$350

About the Artist

Tom Wesselmann

Tom Wesselmann (1931–2004) was an American Pop artist known for his work in painting, collage, and sculpture. He gained recognition with his *Great American Nude* series (begun in 1961), which explored themes of sensuality and sexuality. Although he worked independently from contemporaries like Warhol and Lichtenstein, his art helped define the Pop Art movement, though he resisted being labeled within it. Wesselmann's work often featured iconic imagery—cigarettes, lipstick, jewelry—while experimenting with perspective and flattened space. His creative practice extended to assemblage, collage, shaped canvases, and combination sculpture-paintings. In the 1980s, his use of negative space evolved, particularly in his *Drop-Out* series.
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