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Zakanitch, Robert

ROBERT ZAKANITCH Cascading Vines, 1977 - Signed

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Cascading Vines" by Robert Zakanitch is a large, vibrant serigraph (also known as a silk-screen or screen print) in colors, published by the Lincoln Center for the Performing Arts in New York City in 1977. Known for his intricate decorative patterns, Zakanitch's work in this piece showcases his mastery in creating detailed and aesthetically captivating designs. The artwork is signed and numbered, from an edition of 144, adding to its exclusivity and collectibility. Printed by Brand X, this serigraph stands as a testament to Zakanitch's skill and artistic vision.

Zakanitch, a leading figure in the Pattern and Decoration movement, gained significant fame for his ability to transform ornamental patterns into fine art. "Cascading Vines" exemplifies this with its lush, flowing floral motifs that create a sense of movement and depth, capturing the viewer's attention with its complexity and beauty.

Details

Sku: LC1193-B

Artist: Robert Zakanitch

Title: Cascading Vines

Year: 1977

Signed: Yes

Medium: Serigraph

Edition Size: 144

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 64 x 40 inches ( 163 x 102 cm )

Image Size: 64 x 40 inches ( 163 x 102 cm )

ROBERT ZAKANITCH Cascading Vines, 1977 - Signed

$2,400

About the Artist

Robert Zakanitch

Robert Zakanitch (b. 1935 - ) is an American painter and was one of the founders of the Pattern and Decoration movement. His work is held in the collection of the Philadelphia Museum of Art, Museum of Modern Art, Whitney Museum of American Art, among others. Zakanitch was born in Elizabeth, New Jersey and grew up in Rahway. He lived and worked in New York City. At the time of his June 3 through September 17, 2017 exhibition in the Hudson River Museum, he had recently moved his residence and studio to Yonkers, New York (as stated in the exhibition's literature). In the late 1960s he began experimenting with Color Field painting but would go on to be one of the founders of the Pattern and Decoration movement in the mid 1970s. While working in the Color Field he was strict to adhering to an abstract style inspired by Minimalism until he learned about decorative imagery. He kept the same color schemes and structures, but incorporated floral motif and a more painterly style. Zakanitch was exhibiting in New York as early as 1968. In 1975 he met Miriam Schapiro while he served as a guest instructor at the University of California, San Diego. A year later, in New York, the two artists would organize an organization around Pattern & Decoration artists. His decorative style is unique in its non-adherence to a firm grid or structure, tending more towards a freer hand and irregularity that has a charming idiosyncrasy to it, much like handmade fabric itself.
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