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Dufy, Raoul

RAOUL DUFY Paddock-Deauville, 1960

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This original lithograph titled Paddock at Deauville by renowned French artist Raoul Dufy captures the lively atmosphere of the famous horse racing scene at Deauville. Dufy, who initially drew inspiration from Fauvism after encountering Henri Matisse's Luxe, Calme et Volupté at the Salon des Indépendants in 1905, later developed his own distinctive style characterized by rapid, yet precise brushwork and the use of vibrant, clear colors applied with an effortless freedom.

Dufy's work often evokes a sense of joy and lightness, focusing on subjects such as regattas, casinos, palm trees, racecourses, and orchestras. His depiction of these scenes, particularly in Paddock at Deauville, showcases his ability to convey the elegance and energy of such events with a playful yet sophisticated approach.

Details

Sku: EF299

Artist: Raoul Dufy

Title: Paddock-Deauville

Year: 1960

Signed: No

Medium: Lithograph

Edition Size: 5000

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 24.5 x 39 inches ( 62 x 99 cm )

Image Size: 24.5 x 39 inches ( 62 x 99 cm )

RAOUL DUFY Paddock-Deauville, 1960

$900

About the Artist

Raoul Dufy

Raoul Dufy (1877 – 1953) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture, and a planner of public spaces. The impressionist landscape painters, such as Claude Monet and Camille Pissarro, influenced Dufy profoundly. Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist, and it directed his interests towards Fauvism. Les Fauves (the wild beasts) emphasized bright color and bold contours in their work. Dufy's painting reflected this aesthetic until about 1909, when contact with the work of Cezanne led him to adopt a subtler technique. It was not until 1920, however, after he had flirted briefly with yet another style, cubism, that Dufy developed his own distinctive approach. It involved skeletal structures, arranged with foreshortened perspective, and the use of thin washes of color applied quickly, in a manner that came to be known as stenographic. Dufy's cheerful oils and watercolors depict events of the time period, including yachting scenes, sparkling views of the French Riviera, chic parties, and musical events.
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