Access Denied
Access Denied

The site owner may have set restrictions that prevent you from accessing the site. Please contact the site owner for access.

Protected by 
MIDA Logo  MIDA

It’s Getting Hot: 26% Off with STARTTHESUMMER

Cart 0

Sorry, looks like we don't have enough of this product.

Pair with
Add order notes
Subtotal Free
Shipping, taxes, and discount codes are calculated at checkout

Signac, Paul

PAUL SIGNAC River Scene, 1970

Regular price $35
Shipping calculated at checkout.

This black-and-white reproduction of Paul Signac's River Scene was published in 1970, showcasing the artist’s delicate pointillist technique in monochrome. While Signac is renowned for his vibrant use of color, this reproduction emphasizes the intricate composition and serene atmosphere of the original piece. A timeless tribute to one of the masters of Neo-Impressionism, this work appeals to both collectors and admirers of classic French art.

Details

Sku: AW1554

Artist: Paul Signac

Title: River Scene

Year: 1970

Signed: No

Medium: Offset Lithograph

Edition Size: 1000

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 18.5 x 22.5 inches ( 47 x 57 cm )

Image Size: 15 x 19 inches ( 38 x 48 cm )

PAUL SIGNAC River Scene, 1970

$35

About the Artist

Paul Signac

Paul Signac (1863 – 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Born in Paris, he followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter after attending an exhibit of Monet's work. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted a series of watercolors of French harbor cities in later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and became Seurat's faithful supporter, friend and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically juxtaposed small dots of pure color, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of Pointillism. Many of Signac's paintings are of the French coast. He loved to paint the water. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends
×

Please wait...

Make an Offer

Descriptive image text
Descriptive image text