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Ipoustéguy, Jean-Robert

JEAN-ROBERT IPOUSTÉGUY Tick Tock; You're on Fire Comrade, 1968

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It is a lithograph printed on wove paper, depicting themes relevant to the student protests in France. The artwork captures the fervor and sentiments of the time, possibly referencing issues of social justice, political activism, or cultural upheaval typical of student movements in France during the depicted period.

During the May 1968 events in France, Jean-Robert Ipoustéguy actively engaged in the political climate by producing a series of political posters titled "Le temps des cerises" ("The Time of the Cherries"). This work reflects his response to the social upheaval and revolutionary spirit of the time.

Details

Sku: YY4461

Artist: Jean-Robert Ipoustéguy

Title: Tick Tock; You're on Fire Comrade

Year: 1968

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 17.5 x 21.5 inches ( 44 x 55 cm )

Image Size: 17.5 x 21.5 inches ( 44 x 55 cm )

JEAN-ROBERT IPOUSTÉGUY Tick Tock; You're on Fire Comrade, 1968

$200

About the Artist

Jean-Robert Ipoustéguy

Jean-Robert Ipoustéguy (born Jean Robert on January 6, 1920, in Dun-sur-Meuse, France) was a prominent French sculptor renowned for his distinctive style that fused abstract elements with the human form. In 1938, he moved to Paris and attended evening art classes under the tutelage of Robert Lesbounit, which significantly influenced his artistic development. After World War II, Ipoustéguy initially focused on painting, contributing to frescoes and stained-glass windows for Saint-Jacques in Montrouge during 1947-48. By 1949, he shifted his attention to sculpture, establishing a studio in Choisy-le-Roi. To distinguish himself in the art world, he adopted his mother's maiden name, becoming known as Jean-Robert Ipoustéguy. Ipoustéguy's early sculptural works were primarily abstract; however, around 1959, he began to concentrate on the human figure, often integrating abstract components. His art frequently explored themes of sexuality, birth, decay, death, and resurrection, characterized by a bold and sometimes controversial portrayal of emotional intensity. Throughout his career, Ipoustéguy received numerous accolades, including the Bright Prize at the 1964 Venice Biennale and the Grand National Prize for Art in 1977. In 1984, he was honored as a Chevalier de la Légion d'honneur. His works have been exhibited globally and are part of various prestigious collections. Ipoustéguy passed away on February 8, 2006, in his hometown of Dun-sur-Meuse.
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