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Ipoustéguy, Jean-Robert

JEAN-ROBERT IPOUSTÉGUY The Cherry Season, 1968

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"The Cherry Season" by Jean Robert Ipousteguy is a French student protest poster created during a period of social unrest. It is a lithograph printed on wove paper, depicting themes relevant to the student protests in France. The artwork captures the fervor and sentiments of the time, possibly referencing issues of social justice, political activism, or cultural upheaval typical of student movements in France during the depicted period.

Details

Sku: YY4460

Artist: Jean-Robert Ipoustéguy

Title: The Cherry Season

Year: 1968

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Some scuffing throughout print and creasing in corners

Dimensions

Paper Size: 17.5 x 22.75 inches ( 44 x 58 cm )

Image Size: 17.5 x 22.75 inches ( 44 x 58 cm )

JEAN-ROBERT IPOUSTÉGUY The Cherry Season, 1968

$200

About the Artist

Jean-Robert Ipoustéguy

Jean-Robert Ipoustéguy (born Jean Robert on January 6, 1920, in Dun-sur-Meuse, France) was a prominent French sculptor renowned for his distinctive style that fused abstract elements with the human form. In 1938, he moved to Paris and attended evening art classes under the tutelage of Robert Lesbounit, which significantly influenced his artistic development. After World War II, Ipoustéguy initially focused on painting, contributing to frescoes and stained-glass windows for Saint-Jacques in Montrouge during 1947-48. By 1949, he shifted his attention to sculpture, establishing a studio in Choisy-le-Roi. To distinguish himself in the art world, he adopted his mother's maiden name, becoming known as Jean-Robert Ipoustéguy. Ipoustéguy's early sculptural works were primarily abstract; however, around 1959, he began to concentrate on the human figure, often integrating abstract components. His art frequently explored themes of sexuality, birth, decay, death, and resurrection, characterized by a bold and sometimes controversial portrayal of emotional intensity. Throughout his career, Ipoustéguy received numerous accolades, including the Bright Prize at the 1964 Venice Biennale and the Grand National Prize for Art in 1977. In 1984, he was honored as a Chevalier de la Légion d'honneur. His works have been exhibited globally and are part of various prestigious collections. Ipoustéguy passed away on February 8, 2006, in his hometown of Dun-sur-Meuse.
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