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Kippenberger, Martin

MARTIN KIPPENBERGER Hey Baby!, 1993

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This original full-bleed poster by Martin Kippenberger was created for the Photography in Contemporary German Art exhibition at the Guggenheim Museum Soho in 1993. True to Kippenberger’s irreverent style, the design likely challenges artistic conventions, blurring the line between promotion and conceptual art. Known for his subversive humor and critique of institutional norms, Kippenberger often used posters as extensions of his artistic practice, questioning authenticity, representation, and the role of photography in contemporary art. A highly collectible piece from one of Germany’s most provocative postwar artists.

Details

Sku: YY2980

Artist: Martin Kippenberger

Title: Hey Baby!

Year: 1993

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Some denting in the top of the poster.

Dimensions

Paper Size: 33.5 x 26.5 inches ( 85 x 67 cm )

Image Size: 27 x 22.5 inches ( 69 x 57 cm )

MARTIN KIPPENBERGER Hey Baby!, 1993

$375

About the Artist

Martin Kippenberger

For two prolific decades, Martin Kippenberger critiqued consumerism, pop culture, and art world status quo with provocative Neo-Expressionist paintings, sculptures, photographs, collages, and installations. Drawing from disparate art historical references including Pablo Picasso, Marcel Duchamp, Sigmar Polke, Pop art, Social Realism, and punk, he remixed old styles to generate wild, funny, and new modes of artmaking. Kippenberger is known for self-portraits in which he riffed on historical paintings and often appropriated others’ work outright. In 1987, he turned a monochrome canvas by Gerhard Richter into a coffee table. For his series “Lieber Maler, Male Mir” (“Dear Painter, Paint for Me,” 1981), Kippenberger commissioned a sign painter in Berlin named Werner to produce several works for him; he then credited them to “Werner Kippenberger.” During his brief lifetime, Kippenberger exhibited extensively in Europe and the United States
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