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Spruance, Benton

BENTON SPRUANCE The Rachel, 1968

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Regular price $200
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“The Rachel” by Benton Spruance is a color lithograph printed in 1968 from an edition of 50. The work is part of the ambitious portfolio Moby Dick: Passion of Ahab, a series of twenty-six lithographs inspired by Herman Melville’s legendary novel. Spruance died unexpectedly in 1967 prior to the completion of the publication, making the series one of the final projects associated with his remarkable career.

Born in Philadelphia in 1904, Spruance was celebrated for his innovations in color lithography and his emotionally charged interpretations of literary, mythological, and religious themes. Beyond his artistic achievements, he played a major role in supporting fellow artists as a founder of the Philadelphia chapter of Artists Equity, advocating for artists’ rights and visibility within the cultural community.

This lithograph is an interpretation of Spruance’s original imagery and was not printed from the artist’s original stones. Priced accordingly, the work nevertheless retains the expressive energy, dramatic composition, and psychological intensity that characterize Spruance’s powerful visual language. Produced in the pre-digital poster era, it remains a compelling collectible for admirers of American printmaking and literary-inspired art. Framing available upon request.

Details

Sku: XX5661

Artist: Benton Spruance

Title: The Rachel

Year: 1968

Signed: No

Medium: Lithograph

Edition Size: 50

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 22 x 16 inches ( 56 x 41 cm )

Image Size: 22 x 16 inches ( 56 x 41 cm )

BENTON SPRUANCE The Rachel, 1968

$200

About the Artist

Benton Spruance

Benton Spruance (1904 – 1967) was an American painter, printmaker and architect from Philadelphia. As a printmaker, Spruance was known for his innovations in color lithography with series of works relating to mythological and religious themes, as well as portraiture. He was much more than a distinguished artist of national renown. His career focused in a large part upon service to the art community, not only in Philadelphia, but throughout the nation as well, and much of his importance lies in all that he was able to accomplish for his fellow artists. He had a keen sense of the place of the artist in the life of the community, and as a founder of the Philadelphia chapter of Artists Equity, he helped to give to the individual artist a strong voice in community affairs. His prints, taken in chronological sequence, constitute a unique record of his times, his world, and his experience. But above all he emerges clearly as a warm, compassionate human being.
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