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Mapplethorpe, Robert

ROBERT MAPPLETHORPE Thirteen Artists, 1974

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This exhibition at the Museum of Contemporary Arts in Houston showcased Mapplethorpe's profound ability to capture the essence of his subjects. This poster represents a significant moment in the presentation of contemporary photography and Mapplethorpe's enduring legacy.

This exhibition poster by Robert Mapplethorpe is a unique opportunity to own a piece of photographic and art history. Its provenance from the esteemed Brooke Alexander Gallery and its association with the Museum of Contemporary Arts in Houston enhance its significance and desirability.

Details

Sku: CB9689

Artist: Robert Mapplethorpe

Title: Thirteen Artists

Year: 1974

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Dents throughout image and some water damage in bottom right corner.

Dimensions

Paper Size: 22.25 x 34 inches ( 57 x 86 cm )

Image Size: 11.75 x 32.5 inches ( 30 x 83 cm )

ROBERT MAPPLETHORPE Thirteen Artists, 1974

$495

About the Artist

Robert Mapplethorpe

Robert Mapplethorpe (1946 – 1989) was an American photographer, known for his sensitive yet blunt treatment of controversial subject-matter in the large-scale, highly stylized black and white medium of photography. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits and still-life images of flowers. His most controversial work is that of the underground BDSM scene in the late 1960s and early 1970s of New York City. The homoeroticism of this work fuelled a national debate over the public funding of controversial artwork. His photography of flowers shows his remarkable mastery of the nuances of light, both with the camera itself and also in the darkroom. Patti Smith was a longtime roommate and close friend of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses. "Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. He was presenting something new, something not seen or explored as he saw and explored it. Robert sought to elevate aspects of male experience, to imbue homosexuality with mysticism. As Cocteau said of a Genet poem, 'His obscenity is never obscene.' " — Patti Smith, Just Kids
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