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Ringgold, Faith

FAITH RINGGOLD Groovin' High, 1996

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Regular price $4,500
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This is a printer’s proof of Groovin’ High, created by the esteemed artist and civil rights activist Faith Ringgold. Unlike the official edition, this proof is unsigned and not numbered, printed on heavy paper, making it an exceptional rarity above the standard edition.

The original artwork, created in 1986, is an acrylic on canvas with a fabric border, embodying Ringgold’s distinctive style that blends narrative storytelling with textile traditions. Her work often incorporates elements of African American heritage, jazz culture, and personal history, reinforcing her deep connection to the Harlem Renaissance.

Details

Sku: CB9528

Artist: Faith Ringgold

Title: Groovin' High

Year: 1996

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Small paper break in the bottom left border, small brown stains in top border and slight creasing and scuffing in the top right corner. Image not affected.

Dimensions

Paper Size: 32.5 x 44 inches ( 83 x 112 cm )

Image Size: 24 x 39.5 inches ( 61 x 100 cm )

FAITH RINGGOLD Groovin' High, 1996

$4,500

About the Artist

Faith Ringgold

Faith Ringgold (b. 1930 - ) is an artist from Harlem, New York City best known for her narrative quilts. Coming of age after the Harlem Renaissance, Ringgold was exposed to creativity from an early age. Ringgold’s future artwork was greatly affected by the people, poetry, and music she experienced in her childhood, as well as the racism, sexism, and segregation she dealt with in her everyday life. Ringgold’s artistic practice was extremely broad and diverse, and included media from painting to quilts, from sculptures and performance art to children’s books. She was an educator who taught in the NYC Public school system and on the college level. In 1973, she began to create fulltime. Ringgold began her painting career in the 1950s. She took inspiration from the writings of James Baldwin and Amiri Baraka, African art, Impressionism, and Cubism to create the works she made in the 1960s. Her early work is composed with flat figures and shapes. Though she received a great deal of attention with these images, galleries and collectors were uncomfortable with them and she sold very little work. This is because many of her early paintings focused on the underlying racism in everyday activities. These works were also politically based and reflected her experiences growing up during the Harlem Renaissance and grew into maturity during the Civil Rights Movement and Women’s movement.
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