Kentridge, William
WILLIAM KENTRIDGE Invisible Mending, 2011
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Poster for exhibition held at the Israel Museum of Art
Details
Sku: CB6083
Artist: William Kentridge
Title: Invisible Mending
Year: 2011
Signed: No
Medium: Offset Lithograph
Edition Size: Unknown
Framed: No
Frame Suggestion: Inquire with our experts for framing suggestions.
Condition: A-: Near Mint, very light signs of handling
Dimensions
Paper Size: 19.25 x 23 inches ( 49 x 58 cm )
Image Size: 15.25 x 20.25 inches ( 39 x 51 cm )
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WILLIAM KENTRIDGE Invisible Mending, 2011
$75
About the Artist
William Kentridge
William Kentridge (b. 1955) is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.
Kentridge has created art work as part of design of theatrical productions, both plays and operas. He has served as art director and overall director of numerous productions, collaborating with other artists, puppeteers and others in creating productions that combine drawings and multi-media combinations.
Kentridge was born in Johannesburg in 1955 to Sydney Kentridge and Felicia Geffen, a Jewish family. Both were advocates (barristers) who represented people marginalized by the apartheid system. He was educated at King Edward VII School in Houghton, Johannesburg. He showed great artistic promise from an early age. In 2016 became the first artist ever to have a catalogue raisonne devoted to his juvenilia.
He earned a Bachelor of Arts degree in Politics and African Studies at the University of the Witwatersrand and then a diploma in Fine Arts from the Johannesburg Art Foundation. In the early 1980s, he studied mime and theatre at the L'Ecole Internationale de Theatre Jacques Lecoq in Paris. He originally hoped to become an actor, but said later: "I was fortunate to discover at a theatre school that I was so bad an actor [... that] I was reduced to an artist, and I made my peace with it." Between 1975 and 1991, he was acting and directing in Johannesburg's Junction Avenue Theatre Company. In the 1980s, he worked on television films and series as art director.
Kentridge believed that being ethnically Jewish gave him a unique position as a third-party observer in South Africa. His parents were lawyers, well-known for their defence of victims of apartheid. Kentridge developed an ability to remove himself somewhat from the atrocities committed under the later regimes. The basics of South Africa's socio-political condition and history must be known to grasp his work fully, much the same as in the cases of such artists as Francisco Goya and Kathe Kollwitz.
(Wikipedia)
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