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Bonnard, Pierre

PIERRE BONNARD DLM No.158-159 Cover, 1966

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Regular price $250
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This is the original double-page lithograph cover created by Pierre Bonnard for the renowned French art publication Derrière le Miroir (DLM), issue No. 158–159, published in 1966 by Éditions Maeght. As issued, the lithograph features a fold line down the center, characteristic of the DLM series' presentation style.

Printed on premium uncoated paper, this lithograph exemplifies Bonnard's signature blend of soft color palettes, intimate interior scenes, and expressive compositions. The DLM series is celebrated for its close collaboration with modern masters, and Bonnard’s contribution remains one of the most sought-after.

Ideal for framing or as part of a complete issue, this piece offers both artistic and historical value, reflecting the intersection of fine printmaking and post-war publishing innovation.

Details

Sku: CB5258

Artist: Pierre Bonnard

Title: DLM No.158-159 Cover

Year: 1966

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 15 x 22.5 inches ( 38 x 57 cm )

Image Size: 15 x 22.5 inches ( 38 x 57 cm )

PIERRE BONNARD DLM No.158-159 Cover, 1966

$250

About the Artist

Pierre Bonnard

Pierre Bonnard (1867 — 1947) was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis, a group who set the tone for French graphic art of the 1890s. Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality. The intimate domestic scenes, for which he is perhaps best known, often include his wife Marthe de Meligny. Bonnard has been described as "the most thoroughly idiosyncratic of all the great twentieth-century painters", and the unusual vantage points of his compositions rely less on traditional modes of pictorial structure than voluptuous color, poetic allusions and visual wit. Identified as a late practitioner of Impressionism in the early 20th century, Bonnard has since been recognized for his unique use of color and his complex imagery.
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