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Botero, Fernando

FERNANDO BOTERO La Cama II, 1999

Regular price $60
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This reproduction of La Cama, originally painted by Fernando Botero in 1963, captures the essence of Botero's unique style. In this painting, Botero presents an oversized bed with his characteristic volumetric distortion, emphasizing its size and form. The exaggerated scale serves as a metaphor for excess and indulgence, reflecting themes of comfort and materialism. Botero's approach highlights societal commentary through a playful yet thought-provoking lens. This reproduction faithfully reflects the original's commentary on luxury and human condition.

Details

Sku: AW2004

Artist: Fernando Botero

Title: La Cama II

Year: 1999

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Small area of paper loss in lower edge. Light denting through out sheet.

Dimensions

Paper Size: 24 x 19.5 inches ( 61 x 50 cm )

Image Size: 20 x 13.75 inches ( 51 x 35 cm )

FERNANDO BOTERO La Cama II, 1999

$60

About the Artist

Fernando Botero

Fernando Botero (b. 1932) is a figurative artist and sculptor from Medellín, Colombia. His signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume. Of his own affinity for these so-called "large figures" he said: "An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it." He is considered the most recognized and quoted living artists from Latin America, and his art can be found in highly visible places around the world, such as Park Avenue in New York City and the Champs-Elysees in Paris. Though he spends only one month a year in Colombia, he considers himself the "most Colombian artist living" due to his isolation from the international trends of the art world. The expressions and gestures of his subjects reflect a mystifyingly relatable humanity, and his warm tones and often humorous, pleasurable, or simply commonplace scenes give them a beguilingly endearing charm.
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