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Segal, George

GEORGE SEGAL New York City Ballet, 1968

Regular price $250
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This exceptionally rare 1968 print by renowned artist George Segal was created for the New York City Ballet, showcasing his distinctive figurative style. Known for his evocative plaster sculptures and expressive depictions of the human form, Segal brings a sense of movement and quiet introspection to this piece, capturing the grace and discipline of the ballet world.

In beautiful condition, this high-quality mid-century print is a rare find, making it a standout addition for collectors of Segal’s work, ballet enthusiasts, and admirers of 20th-century American art. A striking piece that embodies the elegance and depth of Segal’s artistic vision.

Details

Sku: CB2097

Artist: George Segal

Title: New York City Ballet

Year: 1968

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 35 x 25 inches ( 89 x 64 cm )

Image Size: 35 x 25 inches ( 89 x 64 cm )

GEORGE SEGAL New York City Ballet, 1968

$250

About the Artist

George Segal

George Segal (November 26, 1924 – June 9, 2000) was an American painter and sculptor associated with the Pop Art movement, widely recognized for his pioneering use of plaster bandage casting to create life-size figurative sculptures. While best known for these iconic installations, Segal also made a significant contribution to graphic art, particularly through his exhibition posters and printed works. Segal’s poster creations translate the emotional weight and quiet introspection of his sculptural practice into a two-dimensional format. Often featuring stark, solitary figures set against minimal or architectural backgrounds, his posters retain the haunting stillness and psychological depth that define his sculpture. These works frequently accompanied major exhibitions at museums and galleries, serving not only as promotional material but as autonomous artistic statements. Working in the pre-digital poster era, Segal collaborated with skilled printers to achieve subtle tonal gradations and a refined monochromatic palette, often echoing the white surfaces of his sculptures. The result is a body of graphic work that is both understated and deeply evocative—bridging sculpture, drawing, and printmaking. Today, Segal’s posters are increasingly appreciated by collectors for their historical importance, strong visual identity, and direct connection to his broader artistic practice. They offer an accessible yet authentic entry point into the work of one of the most important American artists of the 20th century, appealing to collectors of Pop Art, figurative art, and museum-issued prints.
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GEORGE SEGAL New York City Ballet, 1968
GEORGE SEGAL New York City Ballet, 1968