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Sherman, Cindy

CINDY SHERMAN Untitled #118, 1996

Regular price $400
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This original exhibition poster promotes a 1996 Cindy Sherman show in Japan, with text in Japanese. The poster features *Untitled #118* (1983), a striking image from Sherman’s *Untitled Film Stills* series, in which she explores the performative nature of identity and the roles women occupy in cultural and cinematic contexts. The photograph captures Sherman in one of her many transformative self-portraits, embodying a character whose narrative remains open to interpretation, adding to the mystery and complexity of the image. With its compelling visual and distinctive Japanese text, this poster is a rare and collectible piece that highlights Sherman’s global influence on contemporary art and photography.

Details

Sku: YY2964

Artist: Cindy Sherman

Title: Untitled #118

Year: 1996

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Paper breaks throughout poster

Dimensions

Paper Size: 28.5 x 20.25 inches ( 72 x 51 cm )

Image Size: 19 x 12.25 inches ( 48 x 31 cm )

CINDY SHERMAN Untitled #118, 1996

$400

About the Artist

Cindy Sherman

Cindy Sherman (b. 1954) is an American photographer and film director from the New York City area, best known for her conceptual photograph portraits in which she is her own model, using herself as a vehicle for commentary on a variety of issues of the modern world: the role of the woman, the role of the artist, and others. It is through these ambiguous and eclectic photographs that Sherman has developed a distinct signature style. Through a number of different series of works, Sherman has raised challenging and important questions about the role and representation of women in society, the media and the nature of the creation of art. Her images are full of kitsch, gaudiness and high drama, succinctly calling attention to some of the absurdities of popular society and the affected personas it encourages.
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