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Segal, George

GEORGE SEGAL New York City Ballet Company Act-I & Act-II, 1968

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Regular price $250
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Original serigraph poster designed by acclaimed American artist and sculptor George Segal for the New York City Ballet Company. The composition presents a backstage theatrical scene featuring an articulated wooden mannequin, stage rigging, and handwritten production notations, conveying the atmosphere of rehearsal and stagecraft behind a ballet performance.

Rendered in a restrained palette of black, gray, and white with striking red stencil lettering and orange annotations, the work reflects Segal’s distinctive interest in the human figure and dramatic environment. The juxtaposition of the mannequin and stage elements creates a powerful, evocative image that bridges fine art and performing arts design.

Produced in 1968, this poster is an important example of Segal’s graphic work and a notable intersection of American contemporary art and dance culture during the late 1960s.

Details

Sku: YY2628

Artist: George Segal

Title: New York City Ballet Company Act-I & Act-II

Year: 1968

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 39 x 26 inches ( 99 x 66 cm )

Image Size: 34.75 x 25 inches ( 88 x 64 cm )

GEORGE SEGAL New York City Ballet Company Act-I & Act-II, 1968

$250

About the Artist

George Segal

George Segal (November 26, 1924 – June 9, 2000) was an American painter and sculptor associated with the Pop Art movement, widely recognized for his pioneering use of plaster bandage casting to create life-size figurative sculptures. While best known for these iconic installations, Segal also made a significant contribution to graphic art, particularly through his exhibition posters and printed works. Segal’s poster creations translate the emotional weight and quiet introspection of his sculptural practice into a two-dimensional format. Often featuring stark, solitary figures set against minimal or architectural backgrounds, his posters retain the haunting stillness and psychological depth that define his sculpture. These works frequently accompanied major exhibitions at museums and galleries, serving not only as promotional material but as autonomous artistic statements. Working in the pre-digital poster era, Segal collaborated with skilled printers to achieve subtle tonal gradations and a refined monochromatic palette, often echoing the white surfaces of his sculptures. The result is a body of graphic work that is both understated and deeply evocative—bridging sculpture, drawing, and printmaking. Today, Segal’s posters are increasingly appreciated by collectors for their historical importance, strong visual identity, and direct connection to his broader artistic practice. They offer an accessible yet authentic entry point into the work of one of the most important American artists of the 20th century, appealing to collectors of Pop Art, figurative art, and museum-issued prints.
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GEORGE SEGAL New York City Ballet Company Act-I & Act-II, 1968
GEORGE SEGAL New York City Ballet Company Act-I & Act-II, 1968