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Unger, Hans

HANS UNGER Estey Organs, 1897

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Regular price $225
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This first printing lithograph page was produced by Sonsel and included in the influential 1897 book Das Moderne Plakat (The Modern Poster), published by Verlag von Gerhard Kuhtmann in Dresden. The lithograph, advertising Estey Organs, showcases the bold and colorful design style typical of the Art Nouveau period. Estey Organs, an American company known for producing high-quality reed and pipe organs, was a popular name in the music industry at the time, and this lithograph is an example of how commercial art was merging with fine art during this era.

The page exemplifies the innovative and decorative use of typography and illustration that characterized the Art Nouveau movement, blending function with aesthetics. Das Moderne Plakat was a pioneering publication that documented the emerging field of poster design, making this lithograph both a valuable artifact of graphic design history and a notable piece of advertising for Estey Organs.

This lithograph is a perfect example of how artistic styles influenced advertising at the turn of the 20th century, making it highly collectible for enthusiasts of vintage posters and musical history.

Details

Sku: YY2146

Artist: Hans Unger

Title: Estey Organs

Year: 1897

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 8.25 x 11.5 inches ( 21 x 29 cm )

Image Size: 6 x 7 inches ( 15 x 18 cm )

HANS UNGER Estey Organs, 1897

$225

About the Artist

Hans Unger

Hans Unger (August 26, 1872 – August 13, 1936) was a German painter who was, during his lifetime, a highly respected Art Nouveau artist. His popularity did not survive the change in the cultural climate in Germany after World War I, however, and after his death he was soon forgotten. However, in the 1980s interest in his work revived, and a grand retrospective exhibition in 1997 in the City Museum in Freital, Germany, duly restored his reputation as one of the masters of the Dresden art scene around 1910.
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