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Dufy, Raoul

RAOUL DUFY Le Violin Rouge, 1970

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Regular price $30
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This vintage reproduction of Le Violon Rouge by Raoul Dufy is a delightful example of the artist's ability to infuse everyday subjects with a sense of joy and movement. Likely published in Europe during the mid-1970s, the reproduction remains visually striking, with its colors retaining their original vibrancy. This piece is a wonderful addition for collectors and admirers of Dufy’s work, offering a charming glimpse into the world of one of France's most beloved modern artists.

Printed in France by Fernand Hazan, Editeur.

Details

Sku: YY7955

Artist: Raoul Dufy

Title: Le Violin Rouge

Year: 1970

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 9.5 x 12.5 inches ( 24 x 32 cm )

Image Size: 6 x 8 inches ( 15 x 20 cm )

RAOUL DUFY Le Violin Rouge, 1970

$30

About the Artist

Raoul Dufy

Raoul Dufy (1877 – 1953) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture, and a planner of public spaces. The impressionist landscape painters, such as Claude Monet and Camille Pissarro, influenced Dufy profoundly. Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist, and it directed his interests towards Fauvism. Les Fauves (the wild beasts) emphasized bright color and bold contours in their work. Dufy's painting reflected this aesthetic until about 1909, when contact with the work of Cezanne led him to adopt a subtler technique. It was not until 1920, however, after he had flirted briefly with yet another style, cubism, that Dufy developed his own distinctive approach. It involved skeletal structures, arranged with foreshortened perspective, and the use of thin washes of color applied quickly, in a manner that came to be known as stenographic. Dufy's cheerful oils and watercolors depict events of the time period, including yachting scenes, sparkling views of the French Riviera, chic parties, and musical events.
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