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Blery, Eugene

EUGENE BLERY Le Charlemagne (Foret de Fontainblue), 1991

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Regular price $400
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This reproduction of Eugène Bléry's etching Le Charlemagne depicts the Forêt de Fontainebleau, a renowned forest located south of Paris. The print is produced by La Calcographie du Louvre and is rendered on high-quality Lana Paper, ensuring the durability and visual fidelity of the original artwork.

Le Charlemagne captures the dense, intricate beauty of the Forêt de Fontainebleau. Bléry, known for his detailed and realistic etchings, presents the forest with meticulous attention to the textures and forms of the trees and underbrush. The composition conveys the depth and natural grandeur of the forest, inviting viewers to appreciate its serene and majestic qualities.

Details

Sku: YY6926

Artist: Eugene Blery

Title: Le Charlemagne (Foret de Fontainblue)

Year: 1991

Signed: No

Medium: Etching

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 22.25 x 29.75 inches ( 57 x 76 cm )

Image Size: 17 x 23.75 inches ( 43 x 60 cm )

EUGENE BLERY Le Charlemagne (Foret de Fontainblue), 1991

$400

About the Artist

Eugene Blery

Eugene Blery (1805-1887) was a French engraver. He worked directly from nature or from his own drawings; his landscapes and tree portraits belonging to Barbizon naturalism. He also produced many closely focused botanical studies gracefully composed with an acute realization of species. Blery is one of the first artists to bring the technique of etching back from the dustbin of history in France. While engraving directly with the burin had been regarded as the superior printmaking technique, Blery rediscovered the richness of textures provided by etching. Distancing himself from the family trade of architecture and engineering at an early age, Blery was able, thanks to some private patrons and a subscription to his etching to live from his art. Almost solely focused on landscapes, flowers and plants, he is one of the first artists to draw directly in nature. His pencil drawings are extremely fine and delicate. His etchings, worked to perfection in many states, were all printed by him, generally on luminous chine-colle.
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