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Satok, Ronald

RONALD SATOK Of Masks and Man, 1972

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Ronald Satok's lithograph "Of Masks and Man" features two faces within a circle, possibly exploring themes of identity and the personas individuals present to the world. The use of masks in art often symbolizes the contrast between one's true self and the facades adopted in social contexts. While specific interpretations of this piece are limited, it's plausible that Satok intended to delve into the complexities of human nature and authenticity.

Details

Sku: YY4394

Artist: Ronald Satok

Title: Of Masks and Man

Year: 1972

Signed: No

Medium: Lithograph

Edition Size: 500

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 28.5 x 21.75 inches ( 72 x 55 cm )

Image Size: 28.5 x 21.75 inches ( 72 x 55 cm )

RONALD SATOK Of Masks and Man, 1972

$150

About the Artist

Ronald Satok

Ronald Satok is a Canadian artist known for his association with Circle Gallery, a prominent art gallery chain active during the 1970s and 1980s. Circle Gallery was instrumental in promoting contemporary artists and making art accessible to a broader audience. Satok's work, characterized by its vibrant colors and dynamic compositions, was featured in several exhibitions organized by the gallery. While specific details about his artistic style and career are limited, his collaboration with Circle Gallery contributed to the dissemination of contemporary art during that era. Despite losing his eyesight in 1978, he continued to contribute to the arts and passed away in 2018. Regarding the relationship between Ronald Satok and Erté (Romain de Tirtoff), both artists were indeed associated with Circle Gallery, a prominent art gallery chain active during the 1970s and 1980s. Erté, renowned for his Art Deco designs, had exhibitions at Circle Gallery, including a notable 1978 show in Soho, New York. Satok's collaboration with Circle Gallery is evidenced by works like "Of Masks and Man," produced for the gallery. However, there is no substantial evidence to suggest that Satok was positioned as a successor to Erté or that he replaced him after Erté's tenure with the gallery. While both artists shared a connection with Circle Gallery and occasionally explored similar themes, their artistic styles and career trajectories remained distinct.
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