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D'Arcangelo, Allan

ALLAN D'ARCANGELO Munich Olympics, 1972

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This official poster was created for the 1972 Summer Olympics held in Munich, Germany, and designed by American artist Alan D'Arcangelo. Known for his minimalist and modern style, D’Arcangelo was one of several renowned artists commissioned to create artwork celebrating the Munich Games, reflecting both the international spirit of the Olympics and the modernity of the host city.

D'Arcangelo’s poster, part of a limited edition of 10,000, embodies clean lines and geometric shapes, consistent with the overall design aesthetic of the 1972 Games, which emphasized innovation and simplicity. His use of bright, bold colors and abstract forms mirrors the Bauhaus-inspired visual identity that was a hallmark of these Olympics.

Details

Sku: XX8936

Artist: Allan D'Arcangelo

Title: Munich Olympics

Year: 1972

Signed: No

Medium: Serigraph

Edition Size: 10000

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Dimensions

Paper Size: 39.75 x 25 inches ( 101 x 64 cm )

Image Size: 39.75 x 25 inches ( 101 x 64 cm )

ALLAN D'ARCANGELO Munich Olympics, 1972

$250

About the Artist

Allan D'Arcangelo

Allan D'Arcangelo (1930 - 1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59. He returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. However, throughout his life, D'Arcangelo remained politically active-and this is evident in his painting, though not necessarily in an overt way. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. Through his painting and writings, it is clear that D'Arcangelo had a palpable discomfort with the social mores of his time, which can be read in the detached treatment with which he treated his subjects.
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