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Spruance, Benton

BENTON SPRUANCE The Delight, 1968

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Regular price $200
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“The Delight” by Benton Spruance is a rare color lithograph printed in 1968 from an edition of only 50 impressions. This work is one of twenty-six lithographs from the celebrated Moby Dick: Passion of Ahab series, inspired by Herman Melville’s legendary novel. Spruance passed away unexpectedly prior to the completion of the publication, making the series especially significant within the artist’s body of work.

Born in Philadelphia, Spruance was one of America’s foremost innovators in color lithography, known for combining expressive draftsmanship with themes drawn from mythology, religion, literature, and portraiture. Beyond his artistic accomplishments, he was a major advocate for artists’ rights and community engagement, helping found the Philadelphia chapter of Artists Equity. His prints stand today as both powerful visual statements and important records of mid-century American artistic culture.

“The Delight” reflects Spruance’s emotionally charged style, balancing lyrical movement with psychological depth. Printed during the pre-digital printmaking era, the lithograph possesses the rich tonal quality and tactile surface that distinguish traditional studio lithography from later reproductions.

An important and scarce example of American figurative printmaking by one of the twentieth century’s most respected lithographers. Framing available upon request.

Details

Sku: XX5662

Artist: Benton Spruance

Title: The Delight

Year: 1968

Signed: No

Medium: Lithograph

Edition Size: 50

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 22 x 16 inches ( 56 x 41 cm )

Image Size: 22 x 16 inches ( 56 x 41 cm )

BENTON SPRUANCE The Delight, 1968

$200

About the Artist

Benton Spruance

Benton Spruance (1904 – 1967) was an American painter, printmaker and architect from Philadelphia. As a printmaker, Spruance was known for his innovations in color lithography with series of works relating to mythological and religious themes, as well as portraiture. He was much more than a distinguished artist of national renown. His career focused in a large part upon service to the art community, not only in Philadelphia, but throughout the nation as well, and much of his importance lies in all that he was able to accomplish for his fellow artists. He had a keen sense of the place of the artist in the life of the community, and as a founder of the Philadelphia chapter of Artists Equity, he helped to give to the individual artist a strong voice in community affairs. His prints, taken in chronological sequence, constitute a unique record of his times, his world, and his experience. But above all he emerges clearly as a warm, compassionate human being.
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