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Fritsch, Katharina

KATHARINA FRITSCH Red Man, 2002

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Katharina Fritsch's artwork featuring a tall man dressed entirely in red, with one foot transformed into a cloven hoof, is a compelling example of her exploration into the interplay between the familiar and the uncanny. The cloven hoof, often associated with devilish imagery, introduces a layer of ambiguity and tension to the otherwise conventional figure. This juxtaposition challenges viewers to question their perceptions of normalcy and the hidden complexities within everyday appearances. Fritsch's deliberate use of monochromatic red further intensifies the visual impact, evoking strong emotional responses and highlighting the sculpture's symbolic depth.

Details

Sku: NR5048

Artist: Katharina Fritsch

Title: Red Man

Year: 2002

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 35.5 x 19.5 inches ( 90 x 50 cm )

Image Size: 35.5 x 19.5 inches ( 90 x 50 cm )

KATHARINA FRITSCH Red Man, 2002

$250

About the Artist

Katharina Fritsch

Katarina Fritsch (b. 1956, Essen, Germany) is a contemporary German sculptor known for her surreal, highly detailed, and often monochromatic sculptures that explore themes of mythology, consumer culture, and psychological symbolism. Fritsch studied at the Düsseldorf Academy of Fine Arts from 1977 to 1984, where she was influenced by German conceptualism and the legacy of Joseph Beuys. Her sculptures frequently depict everyday objects, animals, religious figures, and human forms, reimagined at unexpected scales and rendered in bold, uniform colors. These transformations give her works an uncanny, almost dreamlike presence. One of her most famous pieces, "Elephant" (1987), exemplifies her ability to make familiar figures feel strange and psychologically charged. Another iconic work, "Hahn/Cock" (2013), a giant blue rooster installed in London’s Trafalgar Square, plays with notions of power, national identity, and symbolism. Fritsch has exhibited extensively, including at the Venice Biennale (1995, 2011) and Documenta IX (1992), and her work is held in major collections such as the Museum of Modern Art (MoMA), Tate Modern, and the Art Institute of Chicago. Through her precise craftsmanship and conceptual depth, Fritsch continues to challenge perceptions of reality and meaning in contemporary sculpture.
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