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Klein, Yves

YVES KLEIN Gold Leaf on Panel, 1994

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Rare exhibition poster from the Collection of European Masters series, published for the Kunstsammlung Nordrhein-Westfalen and printed by Achenbach Editions. Measuring 35.5 x 27.5 inches, this striking piece commemorates a showcase at the museum, known for its outstanding temporary and permanent exhibitions of German and international art. The institution houses works by celebrated artists such as Kandinsky and Picasso, and features major holdings of expressionist and impressionist painters. Klein’s Gold Leaf on Panel radiates the artist’s signature exploration of purity, material, and the transcendental, making it an elegant and collectible poster from a prestigious cultural venue.

Details

Sku: NR337

Artist: Yves Klein

Title: Gold Leaf on Panel

Year: 1994

Signed: No

Medium: Offset Lithograph

Edition Size: 500

Framed: No

Frame Suggestion: To complement the luminous tones and minimalist elegance of Klein’s gold leaf imagery, a 2-inch warm gold or satin-brushed brass wood frame would create a harmonious finish without overpowering the work. Use a 3-inch off-white or soft cream archival mat to give the composition breathing room, paired with museum glass to protect against UV light and glare while preserving clarity.

Condition: A: Mint

Dimensions

Paper Size: 35.5 x 27.5 inches ( 90 x 70 cm )

Image Size: 27 x 21.5 inches ( 69 x 55 cm )

YVES KLEIN Gold Leaf on Panel, 1994

$90

About the Artist

Yves Klein

Yves Klein (1928–1962) was a French artist and a key figure in post-war European art. A leading member of the Nouveau Réalisme movement, Klein pioneered performance art and influenced minimal and pop art. His 1957 exhibition Proposte Monocrome, Epoca Blu in Milan featured 11 identical blue canvases using ultramarine pigment suspended in synthetic resin, which Klein called "The Medium." This technique led to the creation of International Klein Blue (IKB). Klein also took steps to preserve the authenticity of his color by depositing a Soleau envelope for his formula. The paintings were mounted on poles 20 cm from the walls, enhancing their spatial effect.
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