Access Denied
Access Denied

The site owner may have set restrictions that prevent you from accessing the site. Please contact the site owner for access.

Protected by 
MIDA Logo  MIDA

It’s Getting Hot: 26% Off with STARTTHESUMMER

Cart 0

Sorry, looks like we don't have enough of this product.

Pair with
Add order notes
Subtotal Free
Shipping, taxes, and discount codes are calculated at checkout

Shahn, Ben

BEN SHAHN Graphics, 1967

Regular price $350
Shipping calculated at checkout.

Original exhibition poster created and designed for Ben Shahn’s landmark show at the Philadelphia Museum of Art in 1967. This is an authentic first printing from the time of the exhibition, not a later restrike or reproduction.

The poster is plate-signed by Shahn—printed with his signature as part of the design—rather than hand-signed. It reflects Shahn’s distinctive graphic style and socially conscious visual language, making it both a historical document of his museum exhibition and a collectible example of 1960s American poster art. Framing available upon request.

Details

Sku: K60254

Artist: Ben Shahn

Title: Graphics

Year: 1967

Signed: No

Medium: Lithograph

Edition Size: 500

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 45 x 30 inches ( 114 x 76 cm )

Image Size: 45 x 30 inches ( 114 x 76 cm )

BEN SHAHN Graphics, 1967

$350

About the Artist

Ben Shahn

Ben Shahn (1898 – 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee's drawings. His art is striking but also introspective. He often captured figures engrossed in their own worlds. Although he used many mediums, his pieces are consistently thoughtful and playful.
×

Please wait...

Make an Offer

Descriptive image text
Descriptive image text