Access Denied
Access Denied

The site owner may have set restrictions that prevent you from accessing the site. Please contact the site owner for access.

Protected by 
MIDA Logo  MIDA

It’s Getting Hot: 26% Off with STARTTHESUMMER

Cart 0

Sorry, looks like we don't have enough of this product.

Pair with
Add order notes
Subtotal Free
Shipping, taxes, and discount codes are calculated at checkout

Lichtenstein, Roy

ROY LICHTENSTEIN Explosion II, 2010

Hurry, Only 1 Left!
Regular price $150
Shipping calculated at checkout.

Exhibition poster published by Gagosian Gallery, London, for Crash: Homage to J.G. Ballard, held February 11–April 1, 2010. The poster features Roy Lichtenstein’s Explosion II from 1965, a bold Pop Art image using the artist’s signature comic-book vocabulary of Ben-Day dots, flat color, sharp outlines, and graphic impact.

The composition bursts outward in blue, yellow, black, white, and red, transforming the idea of collision and violence into a highly stylized visual event. Printed on glossy paper, this poster has strong decorative appeal and a striking contemporary presence. Please note: this example has visible fold lines, consistent with how it was issued or handled. Framing available upon request.

Details

Sku: GH0573

Artist: Roy Lichtenstein

Title: Explosion II

Year: 2010

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age, additional images available upon request.

Dimensions

Paper Size: 39.25 x 27.5 inches ( 100 x 70 cm )

Image Size: 30.5 x 24.25 inches ( 77 x 62 cm )

ROY LICHTENSTEIN Explosion II, 2010

$150

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
×

Please wait...

Make an Offer

Descriptive image text
Descriptive image text