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Davis, Gene

GENE DAVIS Rectangle Paintings 1957-1958, 1977

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Regular price $350
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Original exhibition poster for a 1977 show at Fischbach Gallery, New York, featuring Gene Davis’s Red Rectangle (1958).

A striking example of Washington Color School aesthetics, this poster reproduces Davis’s early exploration of form and color—predating his iconic vertical stripe paintings. The composition centers on a bold, hand-rendered red rectangular frame set against a soft, atmospheric ground, with expressive drips cascading downward. The raw edges and visible brushwork emphasize process and gesture, bridging Abstract Expressionism and the emerging color field movement.

Printed for the April 23–May 12, 1977 exhibition, this piece captures a pivotal moment of reassessment in Davis’s career, highlighting his formative works from the late 1950s.

A visually arresting and historically significant poster, appealing to collectors of postwar American abstraction, minimalism, and gallery-issued ephemera.

Details

Sku: GH0126

Artist: Gene Davis

Title: Rectangle Paintings 1957-1958

Year: 1977

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 17.5 x 19.25 inches ( 44 x 49 cm )

Image Size: 15 x 18.25 inches ( 38 x 46 cm )

GENE DAVIS Rectangle Paintings 1957-1958, 1977

$350

About the Artist

Gene Davis

Gene Davis (1920–1985) was an American painter best known for his role in the Washington Color School and for his iconic stripe paintings. Davis developed a distinctive visual language built from vertical bands of color, arranged in shifting rhythms and unexpected combinations. Rather than repeating strict patterns, he varied width, hue, and sequence to create movement and emotional resonance. His work explores how color alone—without imagery or gesture—can produce mood, energy, and visual vibration. Before becoming a full-time artist, Davis worked as a journalist and art critic, a background that sharpened his analytical approach to painting. Today, his work is recognized for its balance of structure and spontaneity and is held in major museum collections, including the Smithsonian American Art Museum and the Museum of Modern Art.
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