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Alechinsky, Pierre

PIERRE ALECHINSKY L'imagination Prend Le Pouvoir, 1968

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Regular price $700
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This rare original poster by Pierre Alechinsky is a powerful artistic and historical document from the May 1968 Paris student protests. Printed on billboard paper using a home press, the poster features a vivid two-color design (red and black) with well-saturated ink. The content includes revolutionary phrases and slogans that were famously scrawled on the walls of the Sorbonne and the Odéon theaters during the height of the protests.

Alechinsky, a co-founder of the CoBrA art movement, infused the poster with his signature expressive style, blending text and image into a raw and impactful visual statement. The slogans reflect the spirit of rebellion and social change that defined the protests, as students and workers challenged authority, capitalism, and the traditional social order.

This poster serves as both an artifact of political resistance and a significant work of contemporary art, capturing the radical energy of one of the most iconic social movements of the 20th century. As an original, hand-printed piece, it stands as a rare and collectible example of protest art that continues to inspire political and artistic discourse today.

Details

Sku: CB9859

Artist: Pierre Alechinsky

Title: L'imagination Prend Le Pouvoir

Year: 1968

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Dimensions

Paper Size: 32 x 23 inches ( 81 x 58 cm )

Image Size: 32 x 23 inches ( 81 x 58 cm )

PIERRE ALECHINSKY L'imagination Prend Le Pouvoir, 1968

$700

About the Artist

Pierre Alechinsky

Pierre Alechinsky (b. 1927) is a Belgian artist. He has lived and worked in France since 1951. His work is related to tachisme, abstract expressionism, and lyrical abstraction. In 1954 he had his first exhibition in Paris and started to become interested in oriental calligraphy. In the early 1950s he was the Paris correspondent for the Japanese journal Bokubi (the joy of ink). By 1960 he had exhibited in London, Bern and at the Venice Biennial, and then in Pittsburgh, New York City, Amsterdam and Silkeborg as his international reputation grew. He has worked with artists such as Walasse Ting, Christian Dotremont and Andre Breton. Whether abstract or representational, his energetic brushstrokes seem to represent a multifaceted emotional expression related to the human experience.
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