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Escher, M.C.

M.C. ESCHER Relativity, 1988

Regular price $30
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Authorized reproduction poster, published with approval of the Estate.

This iconic composition by M.C. Escher is one of the most celebrated examples of visual paradox in 20th-century art. Relativity presents a complex architectural environment where multiple gravitational perspectives coexist simultaneously. Staircases intersect and overlap in impossible ways, while figures move in different orientations, each bound to their own sense of “down.”

Executed with meticulous precision, the image demonstrates Escher’s mastery of perspective, geometry, and illusion. The interplay of light, shadow, and structure creates a convincing yet ultimately impossible world, inviting viewers to question perception and spatial logic.

Escher’s work bridges art and mathematics, transforming intellectual concepts into visually engaging compositions that reward close and repeated viewing. Relativity remains a cornerstone of optical art and a defining image of modern visual thought.

A compelling and timeless piece for collectors of modern prints, architecture-inspired imagery, and conceptual art.

Framing available upon request.

Details

Sku: CB6159

Artist: M.C. Escher

Title: Relativity

Year: 1988

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 9.5 x 12 inches ( 24 x 30 cm )

Image Size: 7 x 7.25 inches ( 18 x 18 cm )

M.C. ESCHER Relativity, 1988

$30

About the Artist

M.C. Escher

M. C. Escher (1898–1972) was a Dutch graphic artist known for his mathematically inspired woodcuts and lithographs featuring impossible objects, infinity, symmetry, and tessellations. Though not formally trained in math, he engaged with mathematicians like Roger Penrose and H. S. M. Coxeter and studied patterns and geometry on his own. Early in his career, he drew from nature and architecture, particularly during travels in Italy and Spain. Escher's work gained popularity in both scientific circles and popular culture, notably after being featured by Martin Gardner in Scientific American, and inspired works like Douglas Hofstadter’s Gödel, Escher, Bach.
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