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Dubuffet, Jean

JEAN DUBUFFET Automobile a la route noire, 2016

Regular price $75
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Automobile à la Route Noire by Jean Dubuffet captures the raw, expressive energy of his signature Art Brut style. With bold, gestural lines and a dynamic composition, the artwork presents a car in motion against a dark road, evoking a sense of movement and spontaneity. The textured, almost childlike aesthetic reflects Dubuffet’s rejection of traditional artistic conventions in favor of a more instinctive, unfiltered approach.

This reproduction from the Beyeler Foundation in Basel is a striking statement piece, perfect for those who appreciate avant-garde art. Its monochromatic palette and abstract dynamism make it an excellent choice for modern interiors, whether displayed in a creative workspace, a study, or an art lover’s collection.

Details

Sku: CB3648

Artist: Jean Dubuffet

Title: Automobile a la route noire

Year: 2016

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 39.25 x 27.5 inches ( 100 x 70 cm )

Image Size: 32.75 x 25 inches ( 83 x 64 cm )

JEAN DUBUFFET Automobile a la route noire, 2016

$75

About the Artist

Jean Dubuffet

Jean Dubuffet (1901 – 1985) was a French painter and sculptor born in Le Havre. His idealistic approach embraced so called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art movement Art Brut, to describe art created outside the boundaries of official culture and the established art scene. He often experimented with mixing materials into his oil paint such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar, allowing him to abandon the traditional method of painting with a brush in favor of a more physical and dynamic approach. Dubuffet felt that the simple life of the everyday human being contained more art and poetry than did academic art.
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