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Gamarra, Jose

JOSE GAMARRA Vessel, 1967

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Regular price $250
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Vessel is an original four-color lithograph by José Gamarra, created as part of a limited set of 33 lithographs for the 6th and final edition of The Situationist Times: International Parisian Edition. Published in the spring and autumn of 1967, this landmark issue represents a pivotal moment in avant-garde publishing, featuring contributions from leading artists of the CoBrA and Figuration Narrative movements, who made up the bulk of the contributors.

This final edition of The Situationist Times stands as a symbol of artistic resistance and cross-disciplinary experimentation, merging the realms of art, theory, and radical social critique. Gamarra's Vessel exemplifies the dynamic visual language characteristic of this edition, with bold compositions, surrealist elements, and layered symbolic references that reflect the revolutionary ethos of the Situationist movement. As one of only 33 original lithographs from this highly sought-after edition, Vessel is a prized collectible for art historians and enthusiasts of 1960s countercultural art and print media.

Details

Sku: CB1070

Artist: Jose Gamarra

Title: Vessel

Year: 1967

Signed: No

Medium: Lithograph

Edition Size: 2500

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 8.5 x 10.75 inches ( 22 x 27 cm )

Image Size: 8.5 x 10.75 inches ( 22 x 27 cm )

JOSE GAMARRA Vessel, 1967

$250

About the Artist

Jose Gamarra

Jose Gamarra (b. 1934 - ) is an artist from Uruguay. Gamarra is recognized for his historical and mythological paintings and illustrations. He studied painting and engraving at the School of Fine Arts in Montevideo. He traveled extensively throughout South America, Cuba and Europe. Gamarra received the Tercer Prize at the 1st Bienal of Cordoba in 1962 and represented Uruguay in the 1964 Venice Biennale. Diverging from his earlier abstract work, his later, more figurative work depicts jungle landscapes and settings for historical incidents and myth. He became involved with the study of animation and co-founded the Automat group in 1967. His early work was abstract, but after moving to France in 1987 he began to paint large meticulously rendered landscapes of the South American jungles that serve as a stage for historical, political, revolutionary stories of Latin American history and myth.
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